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អក្ខរាផ្ញើទៅស្រី - Akhara Phnheur Tov Srey |ស៊ីន ស៊ីសាមុត - Sinn Sisamouth|

អក្ខរាផ្ញើទៅស្រី - Akhara Phnheur Tov Srey |ស៊ីន ស៊ីសាមុត - Sinn Sisamouth|

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Titleអក្ខរាផ្ញើទៅស្រី - Akhara Phnheur Tov Srey |ស៊ីន ស៊ីសាមុត - Sinn Sisamouth|
AuthorPhumchhon Tola
Duration2:48
File FormatMP3 / MP4
Original URL https://youtube.com/watch?v=wVv5WUyuYf0

Description

#Phumchhontola #Sinnsisamouth
បទៈ អក្ខរាផ្ញើទៅស្រី - Akhara Phnheur Tov Srey
ច្រៀងដោយៈ ស៊ីន ស៊ីសាមុត - Sinn Sisamouth
While performing with the Cambodian national radio station, Sisamouth became a protege of Queen Sisowath Kossamak, mother of Head of State Norodom Sihanouk. The Queen invited Sisamouth to join the Vong Phleng Preah Reach Troap (the classical ensemble of the Royal Treasury) with which he performed at royal receptions and state functions.[8] He also achieved hit songs on national radio around this time, first writing and performing songs based on traditional Khmer music. In the mid-1950s, the romantic ballad "Violon Sneha", composed by violinist Hass Salan, catapulted Sisamouth into stardom across Cambodia. Sisamouth became known for his crooning voice, which has been likened to that of Nat King Cole, While his stage presence has been compared to that of Frank Sinatra. By the late 1950s, Sisamouth had established himself as the leading figure in an expanding Cambodian pop music scene. Norodom Sihanouk, a musician himself, encouraged the development of popular music in Cambodia. Initially, pop records from France and Latin America were imported into the country and became popular, inspiring a flourishing music scene based in Phnom Penh.The music produced by Sisamouth and his contemporaries had become popular throughout the country; in 1965, Sisamouth's song "Champa Batdambang" was the first content played on Khmer Republic Television. By the late 1960s and early 1970s, the Cambodian music scene was further influenced by Western rock and roll and soul music via U.S. armed forces radio that had been broadcast into nearby South Vietnam. This resulted in a unique sound in which Western pop and rock were combined with Khmer vocal techniques. Sisamouth was a leader of these trends, moving from traditional Khmer music and romantic ballads to Latin jazz, cha cha cha, agogo, and eventually psychedelic rock in which he employed younger rock musicians. Sisamouth had become established as Cambodia's most popular singer and songwriter. Nevertheless, his popularity did not eclipse that of other recording artists such as Eum Song Seurm and Huoy Meas. He collaborated directly with Mao Sareth and Chounn Malay, among others. He also wrote songs for, and duetted with, other popular Cambodian singers to nurture their careers. For example, starting in the mid-1960s he recorded many popular duets with Pen Ran. Sisamouth is credited with launching the career of Ros Serey Sothea, who had been singing at weddings and later became the leading female singer in the Cambodian rock scene. Sisamouth and Sothea recorded many very popular duets from the mid-1960s into the early 1970s.In later years, Sisamouth contributed songs to the soundtracks for a number of popular Cambodian films, such as Orn Euy Srey Orn, Tep Sodachan, and Thavory Meas Bong. Sisamouth's highly prolific songwriting became well known during this period; he is confirmed to have written more than one thousand songs for himself and others (see Sinn Sisamouth discography), and the true total may be considerably higher. His son Sinn Chanchhaya believed that Sisamouth wrote roughly one song for every day that he was a professional musician, a period of nearly 20 years. In 1973 the music publisher Kruorch Bunlyhe issued A Collection of Sentimental Songs, which contained 500 of Sinn Sisamouth's songs. He was also known to adapt popular Western pop and rock songs with new Khmer lyrics, such as a song based on Santana's "Black Magic Woman" called "Srolanh Srey Touch" (translated as "I Love Petite Girls" in English-language compilations);[18] plus covers of "Hey Jude" by The Beatles (titled "Always Will Hope"), "A Whiter Shade of Pale" by Procol Harum (titled "Apart from Love"), and "Love Potion No. 9" by The Searchers (titled "Other Than You"). By the 1970s he was working regularly with lyricist Voy Ho,[19] and had adapted some traditional and popular Thai songs into his repertoire (for example, "Promden Jet" with Ros Serey Sothea). During the Cambodian Civil War in the early 1970s, Sisamouth was a supporter of the Khmer Republic military and recorded patriotic songs supporting the Republic's stance against the Khmer Rouge insurgents. His career would continue until the Khmer Rouge captured Phnom Penh in April 1975.
https://en.wikipedia.org/wiki/Sinn_Sisamouth

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