ARIRANG - arr. Hyo-Won Woo, Performance track

Details

Description

0:06 measure 1 (intro)

0:25 measure 9 (1 measure before Sop/Alto entrance; Verse 1, Phrase A)
0:42 measure 17 (1 measure before Verse 1, Phrase B)
1:19 measure 33 (1 measure before Ten/Bass entrance; Verse 2, Phrase A)
1:37 measure 41 (1 measure before Verse 2, Phrase B)
1:57 measure 50 (1 measure before key change to Ab Major; Verse 3, Phrase A)
2:15 measure 58 (1 measure before Verse 3, Phrase B)
2:54 measure 74 (time change to 4|4, tempo change to Allegro)
2:58 measure 76 (2 measures before Verse 4, Phrase A)
3:12 measure 84 (2 measures before Verse 4, Phrase B)
3:25 measure 92 (2 measures before Verse 5, Phrase A)
3:39 measure 100 (2 measures before Verse 5, Phrase B)
3:52 measure 108 (2 measures before starting repeat sign, Verse 6, Phrase A)
4:06 measure 116 (2 measures before Verse 6, Phrase A second time)
4:20 measure 118 (2nd ending, 2 measures before Final Verse, Phrase A)
4:33 measure 126 (2 measures before Final Verse, Phrase B)
4:47 measure 134 (2 measures before tempo change, Final Tag)


ARIRANG, arranged by Hyo-Won Woo
Performance Track, Accompaniment Only
Key: G Major, Ab Major
Voice: Soprano, Alto, Tenor, Bass
Range: C3 - Ab5
Performance Example: https://youtu.be/bg-Y-yUGfZQ
Sheet Music Source:
This song- https://www.jwpepper.com/Arirang/10873353.item#.YMd13NVKjIU
TMEA All State Small School Packet- https://www.jwpepper.com/Texas-All-State-2022-School-Choir-Packets/11355237.item#.YMd2BNVKjIU


INSTRUCTIONS/ERRATA:
• Any Divisi in a specific voice part for SSC will be split: Areas North and East will take the upper divisi and Areas South, West, and Central will take the lower divisi for Area Audition. However, for the Region Choir clinic and concert, Region Coordinators may determine the best approach to divisi for the integrity of the performance. (updated 5/1/21)
• Do not observe the descant until the second ending, disregard m. 116-117. (updated 6/1/21)


CONDUCTOR'S REHEARSAL NOTES:
• Here’s a link to a beautiful performance of this well-known Korean folk song arranged by today’s most renowned Korean choral composer.
• Follow the IPA pronunciation on the inside from cover page for the most accurate pronunciation.
• On measures 110-117 at the first time, all sopranos learn the highest of the 3 parts, leaving altos to split. At the repeat, all S1 sing the descant, with S2, A1, A2 singing the same notes as the first time.




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