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"Basketball Jones featuring Tyrone Shoelaces" by Cheech and Chong

"Basketball Jones featuring Tyrone Shoelaces" by Cheech and Chong

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Title"Basketball Jones featuring Tyrone Shoelaces" by Cheech and Chong
AuthorsamWilckersson
Duration3:44
File FormatMP3 / MP4
Original URL https://youtube.com/watch?v=moeY_ZGWD5o

Description

Sung in falsetto by Cheech Marin, playing the title character Tyrone (as in "tie-your-own") Shoelaces, it tells the story of Shoelaces' love of basketball. It is a parody of the No. 16 Billboard Hot 100 song "Love Jones" by Brighter Side of Darkness. In the album version, the song is preceded by a mock interview with Jones' basketball coach named "Umgwana Kickbooti", in a parody of a Wide World of Sports interview conducted by a character named "Red Blazer".

The cartoon was created to promote the song's release in the United States. It is about a teenager named Tyrone Shoelaces and his love of basketball. The short was designed by animator Paul Gruwell who worked on many classic series including The Banana Splits, Scooby-Doo, GI Joe, The Transformers, The Simpsons, and the film Heavy Metal.

In the animation, Shoelaces, who appears as a stereotypical African American, is shown from birth having a skill for "dribbling" (in which he is shown to be drooling) and, as a result, his mother gives him a basketball for a gift. Shoelaces takes an immediate liking to the ball and takes it wherever he goes. This sets up a trip to the "basketball championship," in which he begins preaching to potential teammates, coaches, cheerleaders (complete with "day of the week" panties visible) to "help him out." A gospel chorus begins singing, and slowly escalates. A few short shots of Shoelaces actually playing basketball, mostly dribbling downcourt on a breakaway, are visible, but the rest of the video is primarily devoted to shots of increasingly unusual and distant people in "the entire stadium" and "around the world" singing along to "Basketball Jones." At the end of the short, Shoelaces begins growing at a dramatic pace, breaking through the stadium roof and becoming big enough to use the moon as a basketball while Cheech and Chong, Viet Cong, King Kong, alley cats, men in business suits, a mountaintop guru, The Singing Nun, and Sgt. Pepper's Lonely Hearts Club Band sing along to the song. The short film encapsulates the political moods of the 70s and predicts Richard Nixon's impeachment before the president actually resigned in August 8, 1974.

"Basketball Jones" was originally seen in theaters in late 1973, before showings of Hal Ashby's The Last Detail at select screens.[3] It can be seen during the 1974 film California Split, directed by Robert Altman, although its use in the film prevented California Split from being released on VHS or Laserdisc due to Columbia Pictures' refusal to pay royalties for the song. Altman later removed the song (but not the cartoon) from the film so it could be released on DVD.

The cartoon was re-released in 1976, when it was shown before the film Tunnel Vision. The film is perhaps best known for being featured in another highly acclaimed Hal Ashby film, the 1979 Oscar-nominated Being There, where Peter Sellers's character, Chauncey Gardiner watches the cartoon in a limousine.

The songs opening lyric, "basketball jones, I got a basketball jones", references "jones" as slang for craving or addiction. A "basketball jones" thus refers to loving basketball so much that it overtakes all other thoughts.

Musicians who appeared on the record included George Harrison,[1] Billy Preston, Tom Scott, and Carole King (so the record became the highest peaking single on which she appeared during 1973). The Blossoms and Michelle Phillips (from The Mamas & the Papas) performed vocals as cheerleaders on the track.

The song was released as a single in August 1973 and reached No. 15 on the Billboard Hot 100, becoming the only spoof to peak higher than the corresponding original. It was backed with "Don't Bug Me", also from Los Cochinos. To coincide with the graffiti artwork from the album's cover, both sides of the single feature the Ode label covered with graffiti.

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